Ferguson Reef archaeology expedition – 30 and 31 March

Saturday 30 March 2013

Woke up this morning to a very empty anchorage at the back of Ferguson Reef – with Silentworld II (SWII) and the Hydro-sport dive tender having left for Portland Roads at 0330 this morning – leaving a much reduced crew (Xanthe, Andrew, Grant, Freddy and I) on board Hellraiser 2 to check out the last remaining anomalies and take the last measurements before cleaning up the site and sailing westward to meet the larger team at Eel Reef, and hopefully the wreck of the Indian-built opium clipper Morning Star wrecked three miles south west of Quoin Island in 1814.

With a much smaller team to get ready we got to the outer edge of Ferguson Reef and the wrecksite of the Ferguson in plenty of time for the high water slack.

Xanthe, Grant and Andrew from the Silentworld Foundation and I jumped in just to the seaward of the ‘picked in’ anchor and allowed the last few minutes of the floodtide to carry us in over the reef top and along the stud link anchor chain which runs back over the top of the reef for some 200 metres before ending amongst flat plate and staghorn coral.

Kieran underwater looking at anchor chain

Kieran inspecting the anchor chain.

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Meet Kieran Hosty, manager of maritime archaeology

Our education team recently caught up with Kieran Hosty, the museum’s manager of maritime archaeology, to find out more about his job and upcoming expedition to Ferguson Reef, off the coast Queensland.

Kieran wearing scuba gear sitting on boat at sea

Kieran Hosty, manager of maritime archaeology

What does your role at the museum involve?

Over the last 12 months my position at the museum has changed from that of a curator with a primary responsibility of managing a collection to that of full time manager of the museum’s expanding maritime archaeology program. When I was a curator I was responsible for immigration, ship technologies and marine archaeology. My work includes research, documentation, site survey and assessment of underwater cultural heritage, along with museum exhibition concept, design and installation. Continue reading