#HoodsHarbour: May’s ‘People’s Choice’ winner

Sydney Harbour ferry approaching Circular Quay, 1901-1953 Samuel J Hood Studio, ANMM Collection

Sydney Harbour ferry approaching Circular Quay, 1901-1953
Samuel J Hood Studio, ANMM Collection

I’m pleased to announce the May winner of the museum’s #HoodsHarbour People’s Choice competition. Robert Osborne chose this photograph from the museum’s Samuel J Hood collection via our Flickr Commons photostream. Robert noted the picture ‘reminded me of the Manly Ferries as I used to spend the journey looking into the engine room from the passenger area and soak up the sights and smells‘. He composed a poem, which now forms the basis for the photograph’s exhibition label:

A memory of the past,
the glorious days of old.
The smell of oil and steam,
the shine of brass.
Gone, but still a dream.

People's Choice winner

Robert’s favourite Hood photograph currently on display in #HoodsHarbour
Photo: Nicole Cama, ANMM

Congratulations to Robert and thanks to all those who participated in our #HoodsHarbour competition. It was a museum first for us and was aimed at engaging visitors by allowing them to explore our historic photographic collection online as well as participate in the exhibition process. We hope you enjoyed it just as much as we did! 🙂


#HoodsHarbour is open at the museum until 9 June 2014.

Nicole Cama
Digital Curator

The ‘March of the Gallant Five Thousand’

Australian Light Horse saluting the Governor-General

Australian Light Horse saluting the Governor-General, Sir Ronald Munro Ferguson, and riding along Macquarie Street in Sydney, 24 April 1915.
Samuel J Hood Studio, ANMM Collection

At about 2pm on 24 April 1915, 5,000 Australian troops marched through streets of Sydney. Symbolising the State’s official farewell to the troops, it wasn’t until a few months later that they finally embarked for war. On this day, 99 years ago, over 200,000 people flocked to the city to bid farewell and a safe return to ‘Our Boys in Blue’ and ‘The Khaki Men. It was a goodbye seemingly unaware of the horror that would unfold the following day – the day Australian and New Zealand forces commenced a devastating 8-month conflict; the day they landed at what is now known as ANZAC Cove. Continue reading

#HoodsHarbour: April’s ‘People’s Choice’ winner

#HoodsHarbour competition entry winner

April’s #HoodsHarbour competition entry winning image and label from Myleah Bailey, currently on display
Photo: Nicole Cama, ANMM

I’m pleased to announce the first winner of the museum’s #HoodsHarbour People’s Choice competition for the month of April. Myleah Bailey from Victoria has chosen this photograph from the museum’s Samuel J Hood collection via our Flickr Commons photostream. It depicts crowds at Circular Quay, Sydney welcoming home the crew of HMAS Sydney II on 10 February 1941. The ship had left Australia 10 months previously for battle in the Mediterranean and relatives were keen to see their fathers, uncles, cousins, brothers, husbands, fiancées, boyfriends and friends again. Myleah told us why this was her favourite from the Hood collection, which now forms the basis for the photograph’s exhibition label:

The faces and fashions change, but be it 1941 or 2014 the heartfelt message, and title, of this image remains the same – ‘Welcome Home’.

Our winner told me she ‘was very surprised to receive it! I really enjoyed seeing the pictures in the exhibition and there were many beautiful ones displayed.’ Congratulations Myleah!

Continue reading

#HoodsHarbour: Our super sleuths inspire an exhibition

Portrait of Hera Roberts

The inspiration for our exhibition #HoodsHarbour – Hera Roberts 10 October 1930,
Samuel J Hood Studio, ANMM Collection

The day has finally arrived for the opening of our #HoodsHarbour exhibition! Showcasing a small selection from our Samuel (Sam) J Hood collection, #HoodsHarbour pays homage to the work of a group of individuals we call our ‘super sleuths’. Thanks to their efforts on our Flickr Commons page, we were able to solve the mystery behind the image that formed the inspiration for this exhibition – the lovely Hera Roberts. The story of this discovery symbolises the way that our followers have enriched our collection, unearthing its secrets and finding its hidden stories. Hood’s photograph of Hera remains the highest viewed and most favourited on the museum’s Flickr Commons photostream to date. More than 80 years after it was taken, Hera continues to captivate and inspire our audiences. Continue reading

Japanese flapper lands on Australian shores!

Kono San at a Movietone event on board SS Sierra, 8 August 1929 Samuel J Hood Studio ANMM Collection

Kono San at a Movietone event on board SS Sierra, 8 August 1929
Samuel J Hood Studio
ANMM Collection

I am constantly amazed at the array of discoveries that are being made in the Australian National Maritime Museum’s collection. Some of them are just what you might expect from a maritime history collection, and others are just downright unusual. Until recently, the above photograph was catalogued as ‘unidentified Japanese woman’ posing on board the San Franciscan liner SS Sierra at an event celebrating the arrival of Australia’s first Movietone News truck on 8 August 1929. However, as one of our Flickr Commons followers demonstrated, Sydney photographer Samuel J Hood photographed his fair share of interesting characters from far away shores. Continue reading

Espionage and paranoia: The Sea Devil tours Australia

Count Felix Graf von Luckner with wife Countess Ingeborg von Luckner on board Seeteufel, 20 May 1938 Samuel J Hood Studio ANMM Collection

Count Felix Graf von Luckner with wife Countess Ingeborg von Luckner on board Seeteufel, 20 May 1938
Samuel J Hood Studio
ANMM Collection

In 1938, on an uninhabited island somewhere between America and New Zealand, a German nobleman anchored his schooner. He had a mission. Twenty-one years previously, he’d buried treasure, or as he told the American press, ‘a chest with gold and German banknotes’. He told The Australian Women’s Weekly that a ‘plan of the hidden treasure was tattooed on his knee’ and he was finally making the journey from his country to retrieve it. There have been many labels used to describe Count Felix Graf von Luckner – war raider, Nazi spy, gentleman pirate, ‘rollicking buccaneer’, and the list goes on. Some of them are unfounded, yet some of them contain elements of the truth. So when he finally arrived, Samuel J Hood was on hand to photograph the man famed for sinking 28 Allied merchant vessels in 1917. Hood’s photographs display a glimmer of the controversy and suspicion aroused that day back in May 1938 as tensions brewed in Europe and a German war raider known as Der Seeteufel (the Sea Devil) sailed into Sydney waters in the dead of the night. Continue reading

Picture This: History Week 2013

History WeekWhat’s your favourite story from our photographic collection? Is it the voyage of the Sunbeam, the glamorous Hera Roberts or the mystery disappearance of two film stars? How about the ‘yachties’ – master shipwright Billy Barnett, Frank Albert or Sydney’s oldest yachtsman? For History Week this year the theme is Picture This, and on 11 September, in partnership with our friends Inside History Magazine, we will be exploring how cultural institutions are using digital communities to share photographic collections and unlock the past. Join my fellow blogger Penny Hyde, myself and our guest panellists Paula Bray, Geoff Hinchcliffe, Mitchell Whitelaw, Lisa Murray and Bernard de Broglio for a lively discussion about the exciting world of online collections! Continue reading

Frank Albert: Boomerangs, yachting and the colour green

Marjorie Pritchard's caricature of Frank Albert, c 1929 Published in the Australian Motor Boat and Yachting Monthly 1 August 1929, page 7

Marjorie Pritchard’s caricature of Frank Albert, c 1929
Published in The Australian Motor Boat and Yachting Monthly, 1 August 1929, page 7

It was a clear and crisp autumn afternoon in 1925 when ‘one of Sydney’s show yachts’ sailed up to the Man-o’-war steps in Farm Cove, Sydney. Father and son, Frank and Alexis Albert, were about to host an afternoon with the Governor and his daughter on board their 54-foot cutter, Rawhiti. This was a long way from 41 years previously when, again in Farm Cove, Frank was just 10 years old and first set foot on Sydney’s unfamiliar shores. This tale started for me when one of our Flickr Commons investigators recognised Frank and Alexis in a Samuel J Hood photograph. As I delved deeper into the Albert family history, I became more and more fascinated by their remarkable story. It tells of a journey to the unknown, of new beginnings and innovation. In many ways, the Alberts sailed through Australia’s “golden years”, not just on Sydney Harbour but through that other “golden age” – of rock n’ roll. This is part one of their story. Continue reading

Hood’s Harbour – Tales from ‘100 Stories’

In the 1890s, young photographer Samuel (Sam) John Hood developed an excellent strategy for a lucrative business in ship and crew portraits. He would hitch a ride on a tugboat to photograph sailing vessels ready to enter Sydney Harbour and, with his portfolio under his arm, would then board the ship and convince the captain to let him sell photographs to the crew – with the promise of a similar oil painting for the captain or a free portrait. With the captain’s assent, Hood’s bill for photographs was deducted from the crew’s wages, so they didn’t have to ‘pay’ a penny upfront.

Black and white photograph of Queen Mary troopship with tug boat alongside

Samuel J Hood Studio Queen Mary as Troopship, May 1940 Nitrate negative, 8 x 10.5cm

He would then rush back to his city studio or his home studios in Balmain and, using a trick of the trade, paint the sails (based on the particular ship’s rigging plan) onto the photograph of the vessel, which he would then rephotograph and present to the crew as postcards. Apparently, few sailors saw though his retouching techniques (often also applied by skilled marine artists such as Walter Barratt, Reginald Arthur Borstel, George Frederick Gregory and John Allcot).

The turn of the 20th century marked the end of the sailing ship era and the growing dominance of steam vessels. This had implications for Hood’s business, as steamship crews were less inclined to request photographs of their vessels.

… By the 1920s, Hood had moved from ship postcards to the newspapers’ social and sport pages. With an excellent eye for everyday subjects, he was a leader in the early development of photojournalism.

The entire collection of the Samuel J Hood studio is enormous – of about 33,000 images, the museum holds more than 9,000, primarily related to maritime scenes. The industry around, and activity on, Sydney Harbour during the busy early to mid-20th century remained some of Hood’s favourite subjects. His iconic photograph of the troopship Queen Mary in 1940 (pictured) captures the drama of manoeuvring a large vessel on the harbour.

Stephen Gapps
Curator, Environment, Industry and Shipping

An excerpt from 100 Stories from the Australian National Maritime Museum. Available as a free eBook for iPad from the iBookstore or hard copy versions available for purchase through our museum store.

A Sterling day out with the family

Portrait of Captain Edward Robert Sterling

Captain Edward Robert Sterling, 1910-1925
Samuel J Hood Studio
ANMM Collection

My latest research efforts have been focussed on an American shipping family, headed by shipowner and master, Captain Edward Robert Sterling. During the 1900s to the 1920s, Samuel J Hood would take his trusty Folmer & Schwing Graflex camera to Sydney Harbour to photograph vessels and their crew and passengers. Hood relied on the income produced from portraits he took of captains and their families before he moved on to photojournalism. The Sterling family were one of those families, and what a fascinating family album he produced! A thorough search of census, birth, marriage and shipping records later revealed a vibrant family life that seems all the more animated through Hood’s photographs. Continue reading