The museum is very pleased to announce the 2017-2018 awards made of grants and internships through the Maritime Museums of Australia Project Support Scheme (MMAPSS), supporting not-for-profit organisations to care for Australia’s maritime heritage. MMAPSS has been offering support since 1995, awarding over $1.6M to support over 395 projects. Internships have been awarded since 2000, with over 50 internships awarded since that time.
After the Battle of the Coral Sea Commemoration dinner on the USS Intrepid, I was up early and on the train to Boston and the John F. Kennedy Presidental Library and Museum.
I seem to have bad luck visiting this northern city, teaming rain, windy, 6 degrees (celsius) – just like my last three visits! Bad to worse, the train ran late by half an hour and when I arrived at the JFK Library for my meeting with Karen Abramson, Head of Archives, building works nearby had cut their cable to the outside world. So, with no computers, no phones, and no voicemail, the friendly docent (US word for volunteer) at Reception did not have any mobile numbers, couldn’t look them up and didn’t have access to ‘go fetch’ Karen, and the security officer didn’t have a radio and couldn’t leave his post.
As a national cultural agency, the museum provides support for Maritime Heritage nationally and the importance of supporting local communities, smaller museums and historical societies to care for, conserve, preserve, interpret and display Australia’s maritime heritage is recognised. Several of the avenues for doing this involve funding opportunities and engagement in collaborative travelling exhibition development.
On a recent trip to Indonesia I was struck by how many museums were based around dioramas. Rather than how we usually think of museums — as a display of things from the past (objects) with labels and text — many Indonesian museums are solely based around snapshots of history, with no objects in sight. They are examples of how museum-makers quite literally construct the past for their audiences.
We often think of dioramas as an outmoded, old-fashioned display method. But in Indonesia they are quite an accepted way of communicating stories. Many tell a sanctioned, official version of history. But I was surprised by just how popular they are with audiences.