Beyond a book’s cover

Lucilla Ronai is the Paper Conservator at the Museum. She ensures the many books in the collection are physically and chemically stable. A Paper Conservator also considers the condition of collection items, methods of display during exhibition and loan as well as their safe storage when not in use. Image: Kate Pentecost/ANMM.

Lucilla Ronai is the Paper Conservator at the Museum. She ensures the many books in the collection are physically and chemically stable. A Paper Conservator also considers the condition of collection items, methods of display during exhibition and loan as well as their safe storage when not in use. Image: Kate Pentecost/ANMM.

A booklovers guide to bookbinding and conservation

You might be surprised to discover that over 50% of the Museum’s collection is paper, photographic material and bound items – also known simply as ‘books’. Where else would those swashbuckling adventurers record their travels than in their trusty but often weathered journals?

Our collection includes over 2,000 bound volumes. This ranges from printed books (such as dictionaries), manuscripts (such as logbooks, journals, diaries and sketchbooks), atlases and magazines. The earliest book is an account of the first journey of the Dutch to the East Indes and dates from 1617. The most recently printed book is the Year Book of HMAS Toowoomba, from 2009.

What are the main differences between these books you ask? The materials and techniques used to string words, images, paper and covers together to create the functional item you know and handle as a book. Continue reading

Villain or victim? The story of convict Ann Norman

This oil painting by Henry Gritten depicts the settlement of Hobart on the Derwent River in Tasmania, below the impressive shape of Mount Wellington, circa 1856. A number of Hobart landmarks are also recognisable, including Constitution Dock, Victoria Dock, Cowgills windmill and St. Georges church. Convict Ann Norman would have faced a smaller settlement during her years as a convict during the 1830s and 1840s. ANMM Collection <a href="http://collections.anmm.gov.au/objects/30918/hobart-town-1856?ctx=65e09399-6d09-4f8d-944b-c067c7099216&idx=3">00018553</a>.

This oil painting by Henry Gritten depicts the settlement of Hobart on the Derwent River in Tasmania, below the impressive shape of Mount Wellington, circa 1856. A number of Hobart landmarks are also recognisable, including Constitution Dock, Victoria Dock, Cowgills windmill and St. Georges church. Convict Ann Norman would have seen a similar view, though of a less developed settlement during her years as a convict, circa 1830-1845. ANMM Collection 00018553.

In this blog post ANMM intern Jonas Groom takes us on a personal journey through convict history via a new museum acquisition

Arriving in Van Diemen’s Land

Clambering up the ladder from her convict quarters, Ann Norman would have come  onto the deck of the transport ship Persian and embraced the warm rays of the sun, the fresh southern air and a vista of Hobart Town nestled under Mount Wellington. Ann’s thoughts about her new home may well have been cut short by the barking voice of Superintendent Patton, ordering the convicts ashore.

Ann’s vista of Hobart Town, crowded with convicts and their overseers and settlers, may have turned to the distance and the unforgiving Australian bush. Looking away from the small settlement, Ann would have seen the ships and harbour waters and beyond, to the great blue expanse that was the Southern Ocean. Possibly, like many convicts, clutching an engraved penny to her chest – a token of love – Ann may have felt the pangs of sorrow and heartache ripple through her, not knowing when or if she was ever going to see her beloved again…

The convict indent of Ann Norman is an exciting new acquisition for the Australian National Maritime Museum. The indent was an official government record kept by the Convict Department of Van Diemen’s land (later known as Tasmania). It is in effect a record of Ann’s life as seen through British authorities, from her sentencing at age twenty in 1826 to the final entry in 1841. This unique object presents a rare and tangible link to Tasmania’s convict past. Furthermore, Ann’s indent offers an intimate insight into the plight of convict women in the British Empire.

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Search and survival: Abraham Leeman and the Vergulde Draeck

The power of nature wrought wild on the high seas. Ships in a storm on a rocky coast, Jan Porcellis, 1614–18. Courtesy Hallwyl Museum, Stockholm.

The power of nature wrought wild on the high seas. Ships in a storm on a rocky coast, Jan Porcellis, 1614–18. Courtesy Hallwyl Museum, Stockholm.

Bad luck and bravery

Dutch explorers and traders in the 17th century knew to their cost the dangers of sailing near the Great South Land. A humble and tenacious sailor named Abraham Leeman experienced the worst that these treacherous coasts had to offer – not once but twice.

In the hours before dawn on 28 April 1656, a Dutch East India (VOC) ship called the Vergulde Draeck struck an uncharted reef on her way to Batavia (now Jakarta) and sank off the coast of what is now called Western Australia, but was then an enigmatic landmass scarcely known to Europeans – the fabled Great South Land. In an era when the calculation of longitude was fraught with difficulty and error, this was a tragic event yet not a shocking one. The VOC had lost some 168 ships in the previous decade to various misfortunes, and this latest wreck was further proof of the occupational hazards for those who made their living by the sea.

The disappearance of the Vergulde Draeck could have remained an unsolved mystery for Joan Maetsuycker, the newly appointed Governor General of Batavia, and yet another loss for him to explain to the company council back in Amsterdam. But on 7 June 1656 a small boat carrying seven starving, dehydrated and exhausted men arrived to tell an incredible tale. The leader of this bedraggled group is believed to have been Abraham Leeman, who had been the Vergulde Draeck’s under-steersman, or second officer.*

Leeman explained how the ship had been wrecked upon a reef and that he and his men had managed to sail a small open boat to Batavia, spending over a month at sea. What was more, they were not the only survivors. They had left 68 other men and women, including the ship’s captain, alive on a shore on the Southland.

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The life of a lighthouse keeper

Goode Island lighthouse c.1909. Although officially unidentified, this family group is likely the Norgates as they were still the keepers on Goode Island until January 1910. Image: State Library of Queensland.

Goods Island lighthouse c 1909. Image: State Library of Queensland Collection.

Windswept romance or lonely desolation?

The life of a lighthouse keeper is often either romanticised or seen as a desolate life for those who prefer the solitary confines of the role, away from the social rigours of mainland life.

In reality, the life was a mixture of both and so much more. In our collection is an extraordinary log book kept by the lighthouse keeper William Norgate from November 1893 to November 1929. The log is dilapidated and fragile but reveals a humble yet extraordinary life.

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A tale of love and adventure between two teakwood panels

The journal of the Loch Bredan

The teakwood cover of the journal of the Loch Bredan made by the ship’s carpenter from the panels of the ship’s charthouse door. The journal was written and illustrated by Chief Officer Robert Robertson Smythe, 1902.
ANMM Collection, photographs by Sabina Escobar, ANMM

The museum recently acquired the journal of the Liverpool barque Loch Bredan, by Chief Officer Robert Robertson Smythe. This wonderful logbook/journal was written and beautifully illustrated by Smythe during his 123-day voyage from Sydney to Liverpool via Cape Horn from the 25 July 1902 to 24 November 1902.

The Loch Bredan, built in 1882, was a steel-hulled barque of the ‘Loch’ ships of Liverpool owned by D&J Sproat & Co. She traded between England, Australia and New Zealand, arriving for the first time in Australia at Watsons Bay on November 1891 after a three-month journey from Antwerp, Belgium. In 1902, the Loch Bredan was forced to return to port within a fortnight of leaving Sydney on the return journey to Liverpool. During this trip, the ship ran into such severe weather that three life boats were smashed along with the charthouse’s doors.

She left Adelaide in September 1903 having picked up crew and cargo and disappeared with no scrap of wreckage ever found. Chief Officer Smythe was not on board, as he had signed off after arriving in Liverpool in November 1902. During this voyage, (the last one before its disappearance) the ship’s carpenter used the teakwood of these doors to make the covers for Smythe’s journal. These covers and the memories written on its pages are the only remaining pieces of the Loch Bredan today. Continue reading