Lace and the displaced

Handmade silk bobbin lace handkerchief with ‘RK’ monogram for Otto Strauss’ mother, Roesle Kahn, early 1900s. ANMM Collection 00046629.

This handmade silk handkerchief with bobbin lace was made in the early 1900s and brought to Australia in 1938-39 by the Strauss family, Jewish migrants fleeing Nazi Germany. The centre features a circle of silk fabric with the embroidered initials ‘RK’ for Roesle Kahn, mother of Otto Strauss. ANMM Collection 00046629.

The 80th anniversary of Kristallnacht

Today marks 80 years since Kristallnacht (‘Crystal Night’), the night when the Nazis targeted, arrested and murdered Jews across Germany and parts of Austria and Czechoslovakia. This coordinated attack on 9–10 November 1938, also referred to as the ‘Night of Broken Glass,’ takes its name from the shattered glass that filled the streets after thousands of Jewish homes, businesses and synagogues were vandalised or destroyed.

More than 30,000 Jewish men were arrested and deported to concentration camps in Dachau, Buchenwald and Sachsenhausen. Kristallnacht represented a turning point in the Nazi persecution of Jews and led to a marked increase in Jewish emigration from Germany.

At the museum, we hold a delicate collection of laces and textiles that provides the only tangible link to the experiences of German Jewish immigrants Otto Strauss and Ilse Strauss (née Gimnicher). After Kristallnacht, Otto’s older brother Franz was arrested and sent to the Buchenwald concentration camp, while Ilse’s father and uncle were thrown into prison on trumped-up charges. Tragically, most of Ilse’s family would perish in the Holocaust. Their collection evokes the fragile traces of displaced lives.

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Suitcases, boats and bridges

Last week I was invited to speak about the museum’s work at the Suitcases, boats and bridges: telling migrant stories in Australian museums workshop, organised by Dr Nina Parish from the University of Bath and Dr Chiara O’Reilly from the University of Sydney. The workshop brought together academics, museum professionals and museum studies students to discuss how migrant stories have been collected and articulated in a number of Australian museums, ranging from large government-funded institutions such as ours, to smaller regional, suburban or volunteer-run museums.

Suitcases and boats in Passengers, the museum's permanent exhibition about Australia's immigration history. Photographer Andrew Frolows

Suitcases and boats in Passengers, the museum’s permanent exhibition about Australia’s immigration history. Photographer Andrew Frolows

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