This experimental Rolex watch was attached to the bathyscaphe Trieste when it reached the ocean floor in the Challenger Deep, on 23 January 1960. Image: ANMM. On loan from the Smithsonian Institution.
Timekeepers of curiosity
Peering through the small porthole, Lt Don Walsh USN saw a cloud of floating silt. It had been kicked up by the bathyscaphe’s less than gentle landing, 10,916 metres below the surface of the ocean. Walsh and fellow pilot Jacques Piccard hoped the milky white soup would clear quickly so they could take photos of what lay beyond.
Outside the porthole, the experimental Rolex ‘Deep Sea Special’ wristwatch was attached to the outside of the bathyscaphe. The unusual high glass dome of the timepiece protected the face of the watch as it continued to tick away, keeping time even under immense pressure.
Twenty minutes later, the thick fog persisted, drifting in slow motion. Reluctantly, Don and Jacques decided to begin their ascent. It took three hours for the Trieste to return to the surface, completing a record-breaking journey: Don and Jacques were the first humans to reach the deepest part of the ocean, the Challenger Deep in the Mariana Trench.
What percentage of goods do you think travel by sea? DP World Australia container terminal, Port Botany, photo Glenn Duffus, 2015. Reproduced courtesy DP World Australia.
By the numbers
Shipping accounts for over 99% of Australia’s total merchandise trade by mass. A staggering 7.8 million containers move through Australian ports each year. In today’s global world you may have had coffee from Brazil or a smoothie containing frozen fruit from China. You could be wearing clothes made in India, watching a TV made in Japan while sitting on a sofa containing wood from Argentina on a laminate floor manufactured in Sweden. All of this has been made possible by a rectangular steel box – the humble shipping container.
The Australian National Maritime Museum acknowledges the Gadigal people of the Eora nation as the traditional custodians of the bamal (earth) and badu (waters) on which we work. We also acknowledge all traditional custodians of the land and waters throughout Australia and pay our respects to them and their cultures, and to elders past and present.
The words bamal and badu are spoken in the Sydney region’s Eora language. Supplied courtesy of the Metropolitan Local Aboriginal Land Council.
The Museum would like to advise visitors that this content may contain the names and artwork, by deceased Aboriginal and Torres Strait Islander people.
This year’s NAIDOC week theme is ‘Because of her, we can!’, which celebrates the invaluable contributions that Aboriginal and Torres Strait Islander women have made – and continue to make – to our communities, our families, our rich history and to our nation. For at least 65,000 years, Aboriginal and Torres Strait Islander women have carried our dreaming stories, songlines, languages and knowledge that have kept our culture strong and enriched us as the oldest continuing culture on the planet.
A new exhibition, Unbroken Lines of Resilience: feathers, fibre, shells, brings together some of Australia’s most renowned Aboriginal and Torres Strait Islander female artists, leading practitioners in their fields of weaving and shell stringing. Their innovative works highlight the unbroken practices of our First Nations women and their deep cultural connections and knowledge systems. These practices include harvesting and processing organic and contemporary fibres, feathers and shells to create intricate bodywear for adornment.
Shipwrecks and maritime archaeology are key parts of understanding Australian’s history as a land that is gurt by sea. Image: Measuring artefacts in situ, during an archaeological dive on the Great Barrier Reef, 2013 / ANMM.
Before its deployment to Asian waters, HMAS Perth saw duty in the Mediterranean and Middle East. Egypt was exotic and exciting for the young Australian sailors, and photographs to send back home were a priority. Image: US Naval History and Heritage Command.
On the night of 28 February–1 March 1942, the Australian light cruiser HMAS Perth and the American heavy cruiser USS Houston fought bravely and defiantly against overwhelming odds – outnumbered and outgunned by a large advancing Japanese naval force – as they approached Sunda Strait, a narrow sea passage between the islands of Java and Sumatra in the Dutch East Indies (now Indonesia). Both ships sank that dreadful night in the Battle of Sunda Strait. Continue reading →
The reproduction of the garden fresco from the Villa of Livia just north of Rome, 30–20BC. Fresco image courtesy National Roman Museum – Palazzo Massimo alle Terme is installed in the exhibition. Image: ANMM.
The Roman artist who painted the beautiful wall fresco in the Villa of Livia could never have dreamt that 2,000 years later it would be reproduced at actual size and on display in an exhibition on the other side of the world.
Misenum in miniature. An up close look at the diorama created by Geoff Barnes and Roger Scott for Escape from Pompeii. Image: Andrew Frolows / ANMM.
In 79 AD Mount Vesuvius erupted, sealing nearby Pompeii and Herculaneum into time capsules that would not be reopened for many centuries, and which have been incredibly rich historical and romantic resources for today’s world.
The eruption was clearly visible from the Roman navy’s major port-city of Misenum, along the coast at the northern end of the Gulf of Naples. In response, the admiral of the fleet, Pliny the Elder, ordered his ships to go to the rescue. It is one of the first recorded attempted rescues of civilians by sea by a military force.
Speeches at the opening reception for Guardians of Sunda Strait. Image: Ashley Patranella.
It’s been a busy few days here in Houston with museum’s Guardians of Sunda Straitexhibition. All the objects and their labels have been successfully and safely installed in their showcases or on display panels and all the graphics have been applied to the walls. The final graphic caused a few headaches though! Firstly, the paper didn’t arrive at the factory, then the wrong graphic was accidentally printed, then the colours were wrong. But we have it now and it looks great. Exhibition installation always has a contingency of a few days built in just for this kind of last minute problem!
Roald Amundsen with his dog Pan and ship Fram near his home at Svartskog, Norway in the days before leaving for the secret expedition to attempt the South Pole near his home at Svartskog, Norway. Image: Photographer Anders Beer Wilse, June 1910, courtesy Fram Museum.
‘Race to the Pole – Captain Scott successful’ claimed The Age’s headline writer on 8 March 1912, the day after Norwegian adventurer Captain Roald Amundsen slipped quietly into Hobart in his polar ship Fram. The headline was in hindsight tragically way off the mark but it was not a deliberate ‘alternative fact’ of its day splashed across the established masthead. It was more an excited assumption based on expectation in the former British colonies of Australia and a misreading of Amundsen’s Nordic reserve on his arrival there after 16 months in Antarctica in his well-publicised contest with British naval Captain Robert Falcon Scott.
Detail from the cover of Jeannie Baker’s new book ‘Circle’. Image: Jeannie Baker.
The Australian National Maritime Museum is proud to host award winning children’s author and artist Jeannie Baker for an exclusive chat. Join us as we talk to Jeannie about her new picture Circle. Find out about Jeannie, her background, her inspirations and what it like creating a picture book.
Watermarks exhibition gallery, when it opened. Image: ANMM.
The museum is undergoing an exciting change to its permanent galleries. After more than 15 years, on 29 February the Watermarks Gallery set its sails for the last time (pardon the pun). The gallery first opened in 2001 and told the story of how water and the ocean plays a vital role in the lives of all Australians and how the coast has inspired our recreational lives.
For the first time in Australia comes an interactive, hands-on exhibition based on the bestselling HORRIBLE HISTORIES® series.
Teachers, we have a special offer for you. Contact us before Tuesday 1 March 2016 to make a booking for Term 1 2016 and receive a 50% discount. Normally $7.00 per student, we can offer teachers a special price of $3.50 per student.
In HORRIBLE HISTORIES® – PIRATES: THE EXHIBITION you can
take command of a pirate ship
design and project your own pirate flag
try out different weapons from cutlasses to cannons
find your fate on the wheel of misfortune
discover the best loot to steal and splat rats in the quayside tavern.
Along the way, discover why the pirate women were just as wicked as the men and learn to talk the patter of a pirate. Learn about the ships they sailed on, the punishments they suffered and the rules they lived by.
Full of lively illustrations, foul facts and gruesome games, HORRIBLE HISTORIES® – PIRATES: THE EXHIBITION is a rollicking ride back in time to the days when putrid pirates ruled the water and gave merchant sailors jelly-legs!
Author Terry Deary and illustrator Martin Brown’s unique approach to storytelling comes to life in this blockbuster family exhibition especially for children 6–12 years of age.
The inspiration for our exhibition #HoodsHarbour – Hera Roberts 10 October 1930, Samuel J Hood Studio, ANMM Collection
The day has finally arrived for the opening of our #HoodsHarbourexhibition! Showcasing a small selection from our Samuel (Sam) J Hood collection, #HoodsHarbour pays homage to the work of a group of individuals we call our ‘super sleuths’. Thanks to their efforts on our Flickr Commons page, we were able to solve the mystery behind the image that formed the inspiration for this exhibition – the lovely Hera Roberts. The story of this discovery symbolises the way that our followers have enriched our collection, unearthing its secrets and finding its hidden stories. Hood’s photograph of Hera remains the highest viewed and most favourited on the museum’s Flickr Commons photostream to date. More than 80 years after it was taken, Hera continues to captivate and inspire our audiences. Continue reading →
Last week I was invited to speak about the museum’s work at the Suitcases, boats and bridges: telling migrant stories in Australian museums workshop, organised by Dr Nina Parish from the University of Bath and Dr Chiara O’Reilly from the University of Sydney. The workshop brought together academics, museum professionals and museum studies students to discuss how migrant stories have been collected and articulated in a number of Australian museums, ranging from large government-funded institutions such as ours, to smaller regional, suburban or volunteer-run museums.
Suitcases and boats in Passengers, the museum’s permanent exhibition about Australia’s immigration history. Photographer Andrew Frolows