The Australian National Maritime Museum acknowledges the Gadigal people of the Eora nation as the traditional custodians of the bamal (earth) and badu (waters) on which we work. We also acknowledge all traditional custodians of the land and waters throughout Australia and pay our respects to them and their cultures, and to elders past and present.
The words bamal and badu are spoken in the Sydney region’s Eora language. Supplied courtesy of the Metropolitan Local Aboriginal Land Council.
The Museum would like to advise visitors that this content may contain the names and artwork, by deceased Aboriginal and Torres Strait Islander people.
Warning: This article contains some words and terms used in the past by non-Aboriginal people that would be considered inappropriate today.
In the 19th century, Aboriginal people in the Sydney region used rivers, creeks and waterways as places of refuge and survival after the devastation of colonisation. In the first decade of the British colony, waterways were also important in resistance warfare. From 1788 to 1810 there were numerous raids conducted in canoes, as well as attacks by Aboriginal warriors on British vessels. The role of nawi – the Sydney tied-bark canoe – in this conflict has been overlooked by historians.
Two men and a dog on the Hawkesbury c 1900, Photographer: William Hall ANMM Collection
Ever since the museum joined Flickr Commons in 2008, we have gleaned a wealth of invaluable information related to photographic items from the collection. Flickr users have scanned images noticing the tiniest details, such as barely discernible ship names and locations. With their generous help we have been able to attach names to faces, found their stories and retold them with the aid of stunning photography particularly from the Samuel J Hood and William J Hall collections. One such example of the power of the Flickr Commons community was in the investigation of the Hall photographs of the lower Hawkesbury River region taken around 1900. A simple comment left by a Flickr user lead to correspondence with a historical society in an effort to learn more about the photographs. This was followed by a personal quest to explore Hall’s Hawkesbury and imagine what travelling the area may have been like for the man with the glass plate camera. Continue reading →