Krait on 25 September 2018, with the last few details being worked on ready for the event to mark 75 years since Operation Jaywick. Image: Kate Pentecost/ANMM.
Commemorating Operation Jaywick
Today marks the 75th anniversary of Operation Jaywick, a joint Australian and British raid on Singapore Harbour — one of the most audacious and successful commando operations deep inside enemy territory during World War II. Krait, a former Japanese fishing boat, took three teams of Commandos and their folding canoes to Singapore Harbour. They attached magnetic limpet mines to the hulls of seven ships and fled the anchorage undetected. Early the next morning, six explosions shattered the darkness and six Japanese ships – 35,000 tonnes – were sunk or severely damaged. It was a significant blow to Japanese confidence and morale.
Johnnie and Mehmet concept drawing detail. Image: Alexander Knox 2015.
This is not a blog about the current Federal election … this is about something much more enduring and exciting – a bold new art installation that plays with the idea of animus, memory, the machinery of war, and to a degree geopolitics. It will be launched in the coming months on the forecourt at the Australian National Maritime Museum, and today, International Museums Day with its focus on cultural landscapes, seems an appropriate time to reveal something of the art work.
What’s wrapped up under the silk? Image: Andrew Frolows / ANMM.
Last week saw a Christo-like wrapping of silky black satin on the wharf at the Australian National Maritime Museum in Sydney’s Pyrmont. Intriguing and mysterious the form it enveloped was unreadable…
What could be under the silk? Well it’s an amazingly beautiful material, bronze. Used for millennia for public statuary, it is here applied to fuse old and new in an incredibly detailed and exacting process. This has produced a sculpture that explores something of the history of the site as a mercantile and maritime centre. Continue reading →
Details of the casting of the Windjammer Sailors sculpture.
Australian Bronze foundry, 2015 All photos by Zoe McMahon.
Yesterday I visited a sculpture being made at a fine art casting foundry on Sydney’s North Head at Manly. The work is being crafted using the lost wax technique, a traditional, ages-old method that will result in a timeless bronze. Each visit and each stage of the moulding and casting process brings surprises, most recently forms and colours that evoke the strangeness of a cast of characters from B-grade 1960s schlock-horror monster films such as Godzilla and even, in spirit, the hyper-real gigantic 50-foot woman.