This Father’s Day there will no doubt many a father choosing to spend the day on the water. Perhaps on the family boat for a sail around the quiet waters of home, pull in for a bbq at some bay and feel the sense of peace and gratitude that sailing in Australia can bring. Whatever your vessel type, the ease of getting out on the water brings joy to a lot of families.
It is so easy for us today to access music anytime, anywhere and in any style that it is difficult to imagine that music was still influential in people’s lives prior to radio, stereo, records etc. Music was played live but it was also widely distributed in the form of sheet music. Cheaply produced in large quantities sheet music meant people could play or learn the songs themselves and the song could be sung in a wide range of venues including homes, pubs, street corners, wharfs and music halls.
It’s Lunar New Year and time to present the colour and excitement of ancient Chinese culture from the museum’s collections. Dragons feature heavily. And so does racing. (I know that it’s the Year of the Rooster, but they don’t usually like water …)
Dragons have been a potent symbol of Chinese culture for thousands of years – people believed they lived in rivers and lakes and controlled the rains and crops. They were mostly protective, yet when angered created havoc with floods and drought. Chinese communities honoured the dragons with festivals and sacrifices to keep the river dragon happy.
It was bound to happen. There was only one this year: a lone Christmas card arriving in my mailbox, stoically spreading Christmas cheer and best wishes for the season. Likely, next year there will be none and although we may discover new ways to spread cheer, via emails or seasonal emojis, but for me, the demise of the Christmas card is cause for some lament.
The Australian National Maritime Museum has been Google Cultural Institute Partner since early 2015 and this week we launched our next exciting round of features on the platform.
The Australian National Maritime Museum were asked to participate in TABA NABA – Australia, Oceania, Arts by Peoples of the Sea exhibition at the Oceanographic Museum in Monaco. Living Waters was a key theme of the exhibition developed by curator Erica Izett and featured items from our own Indigenous collection. Donna Carstens, Manager of Indigenous Programs at the Maritime Museum worked closely with Erica to select collection items that support the exhibition themes.
The life of a lighthouse keeper is often either romanticised or seen as a desolate life for those who prefer the solitary confines of the role, away from the social rigours of mainland life.
In reality, the life was a mixture of both and so much more. The ANMM has in its collection an extraordinary log book kept by the lighthouse keeper William Norgate from November 1893 to November 1929. The log is dilapidated and fragile but reveals a humble yet extraordinary life.
Where else can you see a President’s signature (Abraham Lincoln), a Queen’s signature (Victoria R), rare books and etchings, and a seventy-year-old gardenia in one place – but in the USA Gallery of the museum!
These are just a few of the objects from the multi-million dollar collection of paintings, models and artefacts we’ve compiled from the museum’s American collection to represent more than 200 years of the close maritime connection between the seafaring nations of the USA and Australia.
Almost 400 years ago, in the hours before dawn on 4 June 1629, a flagship of the Dutch East India Company (VOC) was wrecked upon Morning Reef near Beacon Island, some 60 kilometres off the Western Australian coast. It was the maiden voyage of the Batavia, bound for the Dutch East Indian colonies of modern-day Jakarta, but the tragedy of shipwreck would be overshadowed by the subsequent mutiny among the survivors on the isolated Houtman Abrolhos Islands.
On 2 June 1949 a small advertisement appeared in the Sydney Morning Herald. It was for the sale of Hegarty’s Ferries, a family-owned service which at that time operated between Circular Quay, McMahons Point and Kirribilli. The whole enterprise was now up for sale, including the ‘diesel-engined boats, its wharves, offices, and equipment’. The owners, the well-known Hegarty family from Drummoyne, were heading south to Victoria.
A surprising purchaser stepped forward to take on the business – three women, headed up by Maud Barber. Maud, although no stranger to the Sydney harbour scene, bought the business along with her daughter and Miss Jean Porter. Maud was married to the boatbuilder and naval architect Arthur Barber, best known for his design of Rani, the first ever winner of the Sydney to Hobart Yacht Race, in 1945.
When the news of Cook’s death reached London in 1780, it did not make front page news, but rather, was merely noted with a small announcement of a single paragraph. But public expressions of grief came, one being ‘Elegy on Captain Cook’ written by Anna Seward in 1780.
How did you spend your Easter Sunday? Hopefully you won the Easter egg hunt, had a delicious family barbeque or attended an Easter service. Today, we’re looking at several objects in the museum’s collection which explore the variety of ways Australians have celebrated Easter (and the long weekend).