Join us this weekend to celebrate the beauty and diversity of Australia’s heritage vessels and meet their craftspeople at the Classic & Wooden Boat Festival. Image: The 2016 Classic & Wooden Boat Festival / ANMM.
Classic & Wooden Boat Festival 2018
The much anticipated Classic and Wooden Boat Festival is on at the Australian National Maritime Museum, Darling Harbour in just a few days, starting Friday 13th April and winding up on Sunday afternoon, 15th April. It’s a huge display of vessels, along with food and trade stalls as well as family-friendly entertainment, throughout the three days. Some of Australia’s most outstanding and prominent craft are coming once again to show off their style and elegance, while highlighting the craftsmanship that goes into maintaining these vessels.
SY Ena and Hurrica V will be centre stage. Both were built by WM Ford boatbuilders and have undergone multimillion-dollar rebuilding and restoration projects. They exemplify classic Edwardian elegance, reflecting their original status as gentlemen’s yachts, one of steam and one with sails.
A view of the 2018 Wooden Boat Festival of Geelong, onshore with some of the couta boats in the foreground. Image: David Payne/ANMM.
Wooden Boat Festival of Geelong, March 2018
The 9th Wooden Boat Festival of Geelong was held over the Victorian long weekend in mid-March, and it was another very successful event, drawing a big crowd over the three days. It was managed by the Royal Geelong Yacht Club and the GWBF committee, and featured a wide range of activities and displays on and off the water. Geelong is at the end of Corio Bay in the south west of Port Phillip. It has been a strong regional city and the yacht club has held, state, national and world championships over many years.
The shipwreck of HMAS Perth (I) lies in waters between Java and Sumatra, a victim of the Battle of Sunda Strait in 1942. A joint survey project between the museum and Pusat Penelitian Arkeologi Nasional (Indonesia) has recorded the devastation caused by extensive illegal salvage. Image: James Hunter, ANMM/Pusat Penelitian Arkeologi Nasional.
[Perth] has been hammered and the once impressive six-inch A1 and A2 turrets are gone, the bow is flat and … the wreck is more hazardous than before – even for general swimming around, with lots of live ordnance, wire and overhanging metal.1
A very clear image of Dart with its pile driving machinery set up for work, and moored beside the shoreline at Waikere on the Murray River in South Australia, in 1930. ARHV HV000221.
The traffic on the Murray River owes a big debt to the simple working vessels that serviced the infrastructure that made commercial operations possible. One of these crafts, the barge Dart, lies onshore at Goolwa, shaded and partially protected by the big Hindmarsh Bridge that spans the passage between the port of Goolwa and Hindmarsh Island. Dart is out of the water for a much-needed restoration. Recently I visited the Dart as in-kind support to inspect the Australian Register of Historic Vessels (ARHV) listed barge and write up a Vessel Management Plan (VMP), thanks to a Maritime Museums of Australia Project Support Scheme (MMAPSS) grant.
LEFT: Pinisi trading ship on the Barito River, S.E.Kalimantan, 1983. RIGHT: Patorani fishing boat, Makassar Harbour 1985. Photographs: Jeffrey Mellefont.
UNESCO heritage-lists Indonesian wooden-boat building
Across the 17,000 equatorial islands comprising the Republic of Indonesia, the ingenious arts of timber boat building have been a crucial enabler of human ventures from prehistoric times until today. As ports, kingdoms and states developed, distinctive traditions of boat building and seafaring underpinned trade, politics and warfare, transport and communications as well as day-to-day livelihoods and subsistence … more so in this sprawling tropical archipelago than in just about any other region in the world.
These accomplished seafarers, key participants in the world’s spice trade since ancient times, have also had long-standing economic and cultural connections with nearby northern Australia and its Indigenous coastal populations. Best-known was a centuries-old fishery that brought annual fleets from the central Indonesian island of Sulawesi, harvesting a costly, luxury marine product for trade with imperial China. This teripang or bêche-de-mer fishery was long-established when British settlers first arrived, but was prohibited in 1906 by customs officials of the new Commonwealth of Australia. Continue reading →
Irene and her brothers Fred and Harry sailing Zephyr. Despite her highly impractical attire, Irene survived two capsizes in one season. Image William James Hall, ANMM Collection 00002619 Gift from Bruce Stannard.
‘This venturesome young lady’
On Christmas Eve 1898, Irene Pritchard became the first woman to race a sailing boat on Sydney Harbour. Skippering the tiny 8-footer (2.4 metre) Zephyr, she took to the front early and won her first race with two minutes to spare.
The Sunday Times reported the day of the race was ‘scarcely an ideal one for a trip on the water, the wind blowing strong and cold from the southward, while it rained pretty continuously throughout the afternoon.’ It said the 8-footers race ‘formed an exciting part of yesterday’s programme owing to the fact that one of the small racers was in charge of a lady, Miss Irene Pritchard. That victory fell to this venturesome young lady, is perhaps not so much to be wondered at as that she would risk a wetting and the possibility of a capsize on such a day as yesterday proved.’ 1
The next month Irene became the first woman to sail a winner in a Sydney regatta – the Anniversary (now Australia Day) Regatta. She only sailed for one season, but in that time her fame spread as far as Britain.
Wyatt Earp moored on the edge of Antarctic pack ice, February 1948. The little wooden ship – with a very unlikely name – pioneered Australia’s expeditions into the Antarctic as part of the Australian National Antarctic Research Expedition (ANARE). ANMM Collection ANMS1445.
Remembering the ‘Twerp‘
On 26 December 1947, a small, nondescript wooden-hulled motor vessel set off from Hobart, bound for Antarctica. Its silhouette resembled that of an ageing offshore fishing craft, but its weather deck was packed from stem to stern with supplies and equipment – including a single-engine Vought-Sikorsky Kingfisher floatplane. At the helm was Commander Karl E Oom, an officer in the Royal Australian Navy (RAN). He was supported by five naval officers, 22 ratings, a Royal Australian Air Force pilot and air fitter mechanic, and an Australian Department of Information photographer. The complement was rounded out by four civilian scientists who were responsible for conducting a series of experiments, and observing meteorological and other natural phenomena in the Antarctic. Their voyage would be the first to operate under the banner of the Australian National Antarctic Research Expedition (ANARE), a series of post-war initiatives to establish Australian scientific research stations in Antarctica and the sub-Antarctic territories of Heard Island and Macquarie Island. ANARE laid the foundation for the establishment of the Australian Antarctic Division, and in later years Australia’s polar research ships could trace their lineage back to the little timber craft then making its way towards the world’s southernmost continent: HMAS Wyatt Earp.
SY Ena is now part of the museum’s floating maritime heritage fleet. Image: Andrew Frolows / ANMM.
“Shortly after 9.0’clock on Saturday morning, a handsome steam yacht, built for Mr TA Dibbs was launched from Mr Fords yard, Berrys Bay. As she left the ways she was christened ‘Ena’ by Miss Dorothy Dibbs.”
This brief report in the Sydney Morning Herald Monday 10 December 1900 and headlined “LAUNCH OF MR T.A. DIBBS’ NEW STEAM YACHT” was reflected in other newspapers with comments describing Ena as “one of the finest specimens of a modern steam yacht in the Australian colonies”.
117 years onwards andSY Ena still is one of the finest of its type, both here and internationally, despite many adventures since it was launched. Now it has come home again to Sydney, within sight of where it was built. SY Ena is now part of the National Maritime Collection at the museum. The extremely generous donation of the steam yacht by its owner Mr John Mullen.
A black and white photograph of HMAT Ceramic, which was used during World War 1 as a troop carrier. The frame around the photograph contains the signatures of soldiers and the date ‘15.12.15’ – it is likely that the soldiers were part of the 12th Reinforcements for the 4th Light Horse Regiment. They departed Melbourne on 23 November 1915. ANMM Collection 00027600.
A British liner, a German U-boat, the mid-Atlantic Ocean and the Royal Australian Navy – what do they have in common? The SS Ceramic.
Spirit of Australia driven by Ken Warby on Blowering Dam, 1977. ANMM Collection ANMS1163, reproduced courtesy of Graeme Andrews.
On 20 November 1977, Ken Warby set the world water speed record, piloting his wooden jet-powered boat, Spirit of Australia, into the history books. Warby’s home-made wooden hydroplane reached speeds of 464.44 km/h, breaking the previous ten-year-old record of 458.98 km/h held by American Lee Taylor. The current record of 511.11 km/h (317.68 mi/h) was recorded by Warby on the 8th of October 1978, but, Warby first claimed the water speed record 40 years ago today.
But where Lee Taylor’s record attempt had cost close to $1 million in 1967, Warby had built his hydroplane in a suburban backyard…with a military-surplus jet engine that cost $65!
Ghost ship – Self-steering and completely intact, the Sea Bird appeared to onlookers as if it was being guided by a ‘mysterious power’. Image: Unsolved Mysteries in the World.
One of the upsides of the eerie Halloween season is that you can let yourself dwell on the macabre. Even if the rest of the year you envision yourself as a hard-nosed cynic, on Halloween you are allowed to drop your scepticism and ponder the impossible ‘What if…?’
For maritime folk, there is no end of unnerving tales to scare yourself with. Oceans are vast and humans have sailed the seven seas long enough that you can take your pick of myths or unsolved mysteries that will keep you awake with chills, well into the night. Leaving aside sea monsters, murderous pirates or alien encounters, it is the appearance of ghost ships that can really raise the hair on your neck. The thought of these silent and abandoned vessels aimlessly making their way across oceans is disconcerting, to say the least.
Wild Oats XI in full flight. Image: Rolex – Carlo Borlenghi.
The supermaxi yacht Wild Oats XI is here at the museum for a short visit. Wild Oats and its crew have become an Australian sporting brand, recognised by the public as Australia’s premier racing yacht and team through their dominance of the iconic Sydney to Hobart yacht race, since Wild Oats XI was launched in 2005. This is Australia’s team, in the eye of the public Wild OatsXI is defending the country’s pride in the nation’s major ocean race – and its public adoration is thoroughly deserved.
When Australian yachting made history fifty years ago early in August 1967 by winning the Admiral’s Cup event sailed in UK waters, then recognized as the unofficial world championship for ocean racing, it was one of those dominant sporting wins that stands out as a blueprint of how to achieve success.
Australia had a plan – and one of the first steps was building on the past. It was only the second time an Australian team had entered the event, which, up to then, had been dominated by yachts from the UK and USA. However, as described in the first part of this story, Australia had shocked everyone in 1965 by coming second, and their yacht Caprice of Huon had won two of the four races. The post-race write-ups noted how well Australia had sailed as a team, and how well led the crews were.
Fifty years ago, in August 1967, Australian yachting made history on the world stage, winning the Admiral’s Cup event sailed in UK waters, then recognized as the unofficial world championship for ocean racing.
It was only the second time an Australian team had entered the event, which, up to then, had been dominated by yachts from the UK and USA. The result was astonishing at the time – similar to Australia beating Brazil in a final of the World Cup.
This is part one of a two part story of that remarkable victory.
Textile artist Melinda Piesse with her Batavia tapestry. Photographer Kristina Kingston, reproduced courtesy Melinda Piesse
Last week we unveiled a new large-scale embroidered work by Melbourne textile artist Melinda Piesse at the museum. Known as the Batavia tapestry (2017), it illustrates the tragic story of the wreck of the Dutch East India Company (VOC) flagship Batavia in the Indian Ocean, off the coast of Western Australia, on 4 June 1629 and the sorry fate of the ship’s company.