– National Trust of Australia (Queensland) James Cook Museum
MMAPSS grants 2018-2019
The museum is very pleased to announce the 2018-2019 awards made of grants and internships through the Maritime Museums of Australia Project Support Scheme (MMAPSS), supporting not-for-profit organisations to care for Australia’s maritime heritage. MMAPSS has been offering support since 1995, awarding more than $1.7 million to support over 400 projects. Over 55 internships have been awarded since they were introduced to the scheme in 2000.
Australia’s maritime heritage is located all over the country and so the MMAPSS grants provide support to the regional and often remote organisations that are looking after and telling the stories of this heritage. The types of projects that MMAPSS focuses on are in the areas of collection management, conservation, presentation, education and museological training.
A very clear image of Dart with its pile driving machinery set up for work, and moored beside the shoreline at Waikere on the Murray River in South Australia, in 1930. ARHV HV000221.
The traffic on the Murray River owes a big debt to the simple working vessels that serviced the infrastructure that made commercial operations possible. One of these crafts, the barge Dart, lies onshore at Goolwa, shaded and partially protected by the big Hindmarsh Bridge that spans the passage between the port of Goolwa and Hindmarsh Island. Dart is out of the water for a much-needed restoration. Recently I visited the Dart as in-kind support to inspect the Australian Register of Historic Vessels (ARHV) listed barge and write up a Vessel Management Plan (VMP), thanks to a Maritime Museums of Australia Project Support Scheme (MMAPSS) grant.
Maritime Archaeology Association of Western Australia (MAAWA) Shannon Reid recording underwater MMAPSS 2016-17. MMAPSS is an annual outreach program of grants and internships, offering funding of up to $15,000 for projects and up to $3,000 for internships, for not for profit organisations that actively care for and display and promote Australia’s maritime heritage. Image: MAAWA.
Are you part of a not for profit organisation which helps preserve Australia’s rich maritime heritage? What are your organisation’s priorities for the year ahead?
Applications are now open for the 2018–2019 round of the Maritime Museums of Australia Project Support Scheme (MMAPSS). MMAPSS is an annual outreach program of grants and internships jointly funded by the Australian Government and the museum. Funding is available, up to $15,000 for projects and up to $3,000 for internships, for not for profit organisations that actively care for and display and promote Australia’s maritime heritage.
Whether you are planning to tackle Conservation, Collection Management or Presentation and Public Programs, support is available. Maybe, as in the case of Lake Macquarie City Council, you plan to collaborate with other heritage organisations in your area to implement an interpretation program to raise the profile and engagement of your region’s unique maritime heritage? Good news: Joint applications are welcome!
Sailing off Coal Point, c.1935. Photographer unknown. Image: Lake Macquarie Community Heritage Photography collection.
The museum is very pleased to announce the 2017-2018 awards made of grants and internships through the Maritime Museums of Australia Project Support Scheme (MMAPSS), supporting not-for-profit organisations to care for Australia’s maritime heritage. MMAPSS has been offering support since 1995, awarding over $1.6M to support over 395 projects. Internships have been awarded since 2000, with over 50 internships awarded since that time.
Woodcut by Joan Hassall illustrating a pivotal scene from the novel, an accident in Lyme Regis. Anne Elliot is third from left and Captain Wentworth kneeling at centre. From the 1975 Folio Society edition of Persuasion, reproduced with permission.
If, like me, you’ve been meaning to reread Jane Austen, among other classics you first read long ago, then this year is the time to do it — the 200th anniversary of her death in July 1817. And if, like me, you weren’t sure which one to begin with, let me guide you as a reader of Signals to Persuasion, with its splendid central characters drawn from the Royal Navy at the end of the Napoleonic Wars. It’s not just chick-lit for the literati. You can read it, if you like, as an adjunct or appendix to the well-thumbed maritime classics of C S Forrester and Patrick O’Brian, most likely sitting on your bookshelves already.
The Jetty Train is the perfect way to experience Busselton Jetty. Image: Busselton Jetty.
As a national cultural agency, the museum provides support for Maritime Heritage nationally and the importance of supporting local communities, smaller museums and historical societies to care for, conserve, preserve, interpret and display Australia’s maritime heritage is recognised. Several of the avenues for doing this involve funding opportunities and engagement in collaborative travelling exhibition development.
Alison Stillwell receiving Margaret Brock relics via scissor-lift, for incorporation into the developing Margaret Brock Room. (Photo: May McIntosh)
Alison Stillwell is a volunteer and Secretary of the Kingston SE Branch, National Trust SA. She has recently coordinated a project, partially funded by Maritime Museums of Australia Project Support Scheme (MMAPSS), called the ‘Margaret Brock Room Development’ within the Cape Jaffa Lighthouse. She shares with us her experience of managing the project and the significant events that their organisation celebrated last November.
Signals quarterly magazine is now available via the App store. Image: ANMM.
Signals on the iPad offers the same quality editorial and sumptuous pictures as the print magazine, combined with the convenience of digital delivery – ensuring you can access it almost anywhere on the planet.
The September edition is out now. It includes features describing our maritime archaeology team’s search for the relics of an India-trade horse transport on the Barrier Reef, how Dirk Hartog’s accidental landing 400 years ago put the west coast of Australia on the map and how a 100-year-old fragment of film inspired a contemporary artist from Arnhem Land to create spirit figures embodying Yolngu culture.