The museum, overlooking the Swan River mouth, is an outstanding example of a maritime museum. It is perched on the edge of the old heart of Fremantle harbour, still surrounded with operational wharves and port authority buildings, as well sheds and equipment displaying the heritage of the working harbour.
Australian Naval Historian and author Dr David Stevens will present the annual Phil Renouf Memorial Lecture on Thursday 31 March 2016. Phil Renouf was the much-loved and highly respected leader of Sydney Heritage Fleet and this annual lecture series honours his significant contribution to Australian maritime heritage.
HMAS Sydney’s victory over SMS Emden in November 1914 marked an important milestone in the war at sea. But in no way was this the end of Australia’s naval war, and it certainly did not herald Sydney’s departure from our naval history. Indeed, the cruiser remained extremely busy throughout the Great War, roaming all over the world and achieving a number of naval firsts.
ANMM curator Dr Stephen Gapps reviews In All Respects ready: Australia’s Navy in World War One by Dr David Stevens, the winner of the 2015 Frank Broeze Memorial Maritime History Book Prize.
The title of In all Respects Ready is taken from a 1919 assessment by the British Admiralty of the record of the Royal Australian Navy (RAN) in World War I:
Their Lordships state that Australia may well feel pride in the record of its navy newly created in the years prior to 1914, but shown by the test of war to be in all respects ready to render invaluable service to the Empire in the hour of need.
100 years after the Anzac landings at Gallipoli on 25 April 1915, the museum has acquired a rare diary written on board a transport ship lying off Anzac Cove.
On 18 March 2015, Turkey will commemorate the 100th anniversary of a victory over Allied forces just prior to the Gallipoli land campaign on 25 April 1915. The defeat of an Allied fleet attempting to force the Dardanelles Strait is a little-known story in the tale of the Anzacs, but one that changed the whole nature of the ill-fated campaign.
“These men took pride in the fact they were the only Australian naval unit serving in the European theatre of war … They were therefore bent on proving to the Royal Navy and the Army that they could overcome any difficulties”.
CMDR L. S. Bracegirdle, RN, commanding the Royal Australian Navy Bridging Train at Gallipoli, 16 November 1915
One of the most popular parts of the War at Sea – The Navy in WWI exhibition at the museum is a wonderfully old-school diorama. It has no bells or whistles. You can’t swipe, touch or play with it — apart from a series of buttons that light up various sections. But everyone — even the ‘walk through’ visitor — stops and checks it out.
The museum’s current exhibition War at Sea – The Navy in WWI includes several examples of dazzle camouflage—the (mostly black and white) patterning used by ships to disguise their outline and heading. Perhaps it is because I have been immersed in WWI dazzle research, but it seems to me that the same sort of black and white patterning is everywhere I go around Sydney at the moment.You may have noticed black and white is back in women’s fashion. It is often seen in stripes, but also dazzle-like zigzags. Black and white schemes are painted on cars, on shop fronts, and cafes. Is this merely coincidence? Or is there in fact an historical relationship between dazzle boats of WWI and contemporary art and fashion?
For the anniversary of the Battle of Cocos 100 years ago, the museum is displaying a collection of material associated with the World War I German raider SMS Emden that was destroyed by HMAS Sydney on 9 November 1914.
The items include a German military songbook from 1912, a Reich Pass or travel document, two photographs of Emden crew with a model of their vessel, a small purse, a pair of glasses, and several hand-carved wooden decorative picture frames and skittles games. Importantly, the material includes first-hand accounts by German sailors of ‘The Raid of the Emden’ and the Emden’s battle with HMAS Sydney.
Towards the end of World War I large numbers of merchant ships were brightly painted in bizarre geometrical patterns known as ‘Dazzle Painting’ later known as dazzle camouflage. The aim was to thwart German U-boat captains who had been destroying large amounts of shipping. The colour scheme was designed to confuse and deceive an enemy as to the size, outline, course and speed of a vessel by painting sides and upperworks in contrasting colours and shapes arranged in irregular patterns. The idea, in essence, was to confuse U-boat captains by making it difficult to plot accurately an enemy ship’s movements when manoeuvring for an attack, causing the torpedo to be misdirected or the attack to be aborted.
On a visit to the Maritime Museum you will undoubtedly walk past the modelmakers’ bench on the way to the main displays. Many people stop and admire the painstakingly slow and intricate work of the museum’s volunteer model making crew. Seeing the process of sanding, cutting, glueing and painting ship models from scratch is a rare and wonderful experience. Their work – finished and in progress – sits on display behind the bench.
Usually, the modelmakers work on historic wooden ships – famous vessels or their own particular favourites. However at the moment you might see something a little different. During the exhibition War at Sea – The Navy in WWI some of the modelmakers are creating dazzle paint scheme waterline models of WWI ships. Continue reading
On this day, 100 years ago, a contingent of the Australian Naval and Military Expeditionary Force (ANMEF) marched through Sydney for final embarkation. Fourteen days after Britain declared war on Germany, the ANMEF contingent made their way through streets flooded with tens of thousands of well-wishers. It would be the start of many marches to come throughout the war, and one of the many photographer Samuel J Hood captured with his Folmer and Schwing Graflex camera. Yesterday, a service was held at Government House and re-enactment of the march took place. As Royal Australian Navy (RAN) cadets marched down a soggy Macquarie Street, they paid homage to the ‘khaki clad contingent’ who had taken the same steps a century before under a clear blue sky. Continue reading
NAIDOC Week (celebrating National National Aborigines and Islanders Day) is held every second week in July. The NAIDOC theme for 2014 is ‘Serving Country: Centenary & Beyond.’ The theme honours all Aboriginal and Torres Strait Islander men and women who have fought in defence of country.
While we are starting to learn more about Aboriginal and Torres Strait Islanders who fought as Black Diggers during World War I, what do we know of any Indigenous sailors?
The image above shows Aboriginal sailors on HMAS Geranium when it was conducting a mapping survey of waters across the north and west of Australia in 1926. They may well have been recruited for their intimate knowledge of the area. The title ‘Black Watch’ – while a reference to the famous Scottish regiment – may also refer to their role and skills in surveillance. Continue reading
The first images of the interior of submarine AE2 were shown on ABC television on 3 July 2014 – almost 100 years since the vessel was scuttled in the Sea of Marmara on 30 April 1915.
While interest grows in what the wreck might reveal about the RAN submarine that was the first vessel to breach Turkish defences of the Dardanelles Strait, an account of the incredible voyage written by Stoker Petty Officer Henry James Elly Kinder sheds a human light on the story. Kinder’s account, a memoir written after he returned from several years in Turkish prison camps, has not been published.
The Royal Australian Navy submarine AE2 was scuttled in deep water in the Sea of Marmara on 30 April 1915 after it had run the gauntlet of Turkish minefields, warships and forts in the Dardanelles Straits. AE2 was behind Turkish lines the night before the Anzacs landed at Gallipoli.
Last month, for the first time in almost 100 years the conning tower hatch of submarine AE2 was opened. High definition cameras and imaging sonar were inserted through the opening and an ROV (Remotely Operated Vehicle) surveyed inside the submarine.
AE2 has remained underwater relatively untouched since Commander Stoker ordered the crew to dive overboard and left the hatch slightly ajar to assist in quickly scuttling the vessel. It has since been a home to marine growth, fish and a large conga eel.
On the afternoon of ANZAC Day this year I didn’t do the usual two-up game in a crowded pub. Instead, I went to a seminar at Sydney University on Australia and the Pacific in WWI. The final in a Sydney Ideas series, three speakers outlined their research into various aspects of what has been described as a ‘neglected war’.
As curator of the upcoming War at sea – The Navy in WWI exhibition, I thought the seminar might provide some valuable insights into a theatre of the war where the Royal Australian Navy (RAN) was to expend much time and effort. From September 1914, combined Australian naval and infantry forces swiftly took over several under-defended German territories across the south west Pacific region. While it was a relatively minor theatre of war and quickly overtaken by events in Europe, there were some important and long lasting legacies from Australia’s period of occupation from 1914 to 1921.