Much of David Mearns work as a shipwreck hunter is the analysis of images and sonar scans. Image: David Mearns.
“People think ‘That was it, the deep oceans became accessible to man with Titanic in 1985’. Well, that’s completely false.”
David Mearns is one of the world’s pre-eminent shipwreck hunters. His company, Blue Water Recoveries, has an 88% recovery rate. He discovered the HMAS Sydney, and the Kormoran, the HMS Hood, the Royal Navy flagship sunk by the Bismarck, Vasco da Gama’s Esmerelda (which sunk in 1503), the Lucona a cargo ship sunk by a time bomb that murdered its crew and the Rio Grande, the deepest shipwreck ever found – at 5,762 metres.
But Mearns wasn’t interested in history at University. He actively avoided it, instead, he concentrated on getting degrees in marine biology and later, marine geology. He found work in the offshore industry, helping search and recovery for the US Navy. This is what sparked his now lifelong obsession as a shipwreck hunter: part detective, part archaeologist, part deep ocean adventurer – and historian.
His passion for the stories of the past drives him thousands of metres below the waves.
Finished craft: A sensory jungle. Image: Annalice Creighton / ANMM.
Feathers, fur or fins,
shell or skin or scale,
if it walks on legs or flys on wings,
if it runs or crawls or slithers or swims…
I’m not sure if the timeless lyricism of Don Spencer echoes in anyone else’s mind when they behold the stunning selection of images that make up this year’s Wildlife Photographer of the Year but they sure do for me (possibly just a side effect of life in the kids programs lane – there is a catchy tune for almost everything!) Mischievous lizards catching tiny birds on the tip of their tongues, frenzied swarms of cuttlefish, grinning foxes, a veritable feast of tones, textures, unbelievable moments so magical and yet so vivid you feel like you could reach out and touch them.
Inspired by the Wildlife Photographer exhibition and our upcoming Sea-side Strollers sessions this month’s craft spot is devoted to wilderness themed sensory play resources, it’s a craft activity that is not necessarily done with kids but crafted for very young children.
Welcome Wall, May 2017. Image: Andrew Frolows / ANMM.
Last Sunday, 7 May 2017, saw 364 new names unveiled on our Welcome Wall in honour of all those who have migrated from around the world by sea or air to live in Australia. The museum unveils new names on the Welcome Wall twice a year. The new names now bring the total number of names on the wall to 28,657. Of these 9,330 are from England, 3,526 from Italy, 1,627 from The Netherlands, 1,630 from Germany and 1,317 from Greece. In all, more than 200 countries are represented.
Casts, copies, the real and the replica. Image: Annalice creighton / ANMM.
Casting and mould making are simultaneously the stuff of specialised artistic and scientific endeavours and the backbone of mass production. From fountain heads and amulets to the haunting plaster figures that are now synonymous with this ill-fated city, this month’s craft spot is inspired by the use of casting and moulds in ancient times to create the artefacts featured in our new exhibition Escape from Pompeii.
Dirk Hartog’s plate envelops the museum’s rooftop in ‘A chance encounter’ roof projection, 2016. Photographer Andrew Frolows/ANMM.
Last Thursday night saw the launch of the museum’s latest roof projection, A chance encounter, to commemorate the 400th anniversary of Dutch mariner Dirk Hartog’s landing on the west coast of Australia in the VOC ship Eendracht. To mark his landfall on 25 October 1616, Hartog left behind an inscribed pewter plate in Shark Bay, Western Australia, which provides tangible evidence of one of the earliest European encounters with Australia.
Dirk Hartog plate, 1616. Tin (metal), 36.5 cm (diameter). Reproduced courtesy Rijksmuseum, Amsterdam
Four hundred years ago, Dutch mariner Dirk Hartog (1580–1621) sailed into history when, on 25 October 1616, he made the first documented European landing on the west coast of Australia in the Dutch East India Company (VOC) ship Eendracht (‘Concord’ or ‘Unity’). Today his name is synonymous with the inscribed ‘Hartog plate’ that marked his landfall at Cape Inscription on Dirk Hartog Island in Shark Bay, Western Australia. This evocative pewter relic, now held in Amsterdam’s Rijksmuseum, provides tangible evidence of one of the earliest European encounters with the mysterious Terra Australis Incognita – the unknown southern land. Continue reading →
Welcome Wall ceremony September 2016. Image: Andrew Frolows / ANMM.
This Sunday, 25 September 2016, saw 882 new names unveiled on our migrant Welcome Wall in honour of all those who have migrated from around the world by sea or air to live in Australia. The museum unveils new names on the Welcome Wall twice a year. 2016 marks the 17th year of unveiling ceremonies, bringing the total number of names on the wall to a staggering 28,293. More than 200 countries are now represented on the Wall.
As a multicultural nation, with one in four of Australia’s 23 million people born outside Australia, the Welcome Wall is a celebration of diversity. It allows today’s Australians to pay tribute to migrant forebears, family members and friends by having their names inscribed on it. Located outdoors on the museum’s northern boundary, the wall faces Darling Harbour and Pyrmont Bay.
Science is awesome. Image: Annalice Creighton / ANMM.
Do you know a toddler who is bonkers for bubbles, mad about messy play, sweet on ships, or wild about water in all its shapes and forms? We thought we would use our monthly craft spot this August to share our top 5 maritime-y science-y activities for early learners as a way to celebrate National Science Week.
While in-depth discussions about the intricacies of animal adaptations, laws of motion and gravity or the molecular changes involved in a chemical reaction may be years away, enjoying science play and simple experiments with young children is still a fun and easy opportunity to foster their curiosity and problem solving skills.
Star light, star bright, first constellation I see tonight…
There’s almost no end to the fun that can be had when kids have torches in their hands. Shadow play, bedroom projections, reading under the covers after lights out, spooky face stories, or… a handheld miniature planetarium.
This month we’ve been inspired by current exhibitions Ships Clocks and Stars, as well as our upcoming school holiday program, to make a nifty little star gazer out of some everyday items for our kids craft spot. This mini-planetarium is perfect for projecting under the covers, onto bedroom walls or with evening story time. More than just a toy, it’s also a great way to learn to identify constellations in the night sky.
Teacher preview of ANMM exhibitions ‘Ships, Clocks & Stars’ and Endeavour tour.
Join us for a private viewing of this fascinating and beautiful exhibition on Thursday 16 June 5.00pm – 7.00pm. Hear about our exciting new school programs and board HMB Endeavour to experience what life was really like on an 18th-century vessel. Afterwards, see the museum’s Vivid display – a spectacular rooftop projection viewed from our special vantage point.
The Blue Mud Bay sea rights flag flying in Yirrkala at the Buku-Larrngay Mulka Centre
Each year National Reconciliation Week celebrates and builds on the respectful relationships shared by Aboriginal and Torres Strait Islander people and other Australians.
The dates that bookend the week are significant milestones in the Reconciliation journey:
May 27—Marks the anniversary of Australia’s most successful referendum and a defining event in our nation’s history. The 1967 referendum saw over 90 per cent of Australians vote to give the Commonwealth the power to make laws for Aboriginal and Torres Strait Islander peoples and recognise them in the national census.
3 June—Commemorates the High Court of Australia’s landmark Mabo decision in 1992, which legally recognised that Aboriginal and Torres Strait Islander peoples have a special relationship to the land—a relationship that existed prior to colonalisation and still exists today. This recognition paved the way for land rights or Native Title.
Spinning, swirling, flapping, flying, a single line, a blur of blue, a flickering image, a zoetrope.
For this month’s craft spot we were inspired by the subjects of acclaimed author and artist Jeannie Baker’s new book Circle, showcased in an exhibition of her collages opening this Thursday. Circle follows the journey of the Bar-tailed Godwit bird, an at-risk species of shorebird that undertakes the longest unbroken migration of any animal, flying from their breeding grounds in Alaska to Australia and New Zealand.
Here we’ve created a paper craft zoetrope of flying Godwit birds. Originally developed as a simple animation toy in the 19th century, the zoetrope relies on the persistence of vision to create the illusion of movement, making it perfect to display these beautiful creatures on their journey “flying on and on, for nine nights and nine days, flying without rest” ( Jeannie Baker, Circle).
This lithographed is based on the drawings by Louisa Mundy, the wife of Colonel Godfrey Mundy. It was published in Colonel Mundy’s ‘Our Antipodes’ in 1852. This work depicts Government House, Sydney, sitting high on a hill overlooking Farm Cove and Sydney Harbour. Image: ANMM Collection 00000889.
To celebrate the Royal Botanical Gardens Sydney 200th anniversary, the Australian National Maritime Museum and Royal Botanical Gardens Sydney will offering a joint video conference for year 3 and 4 students History and Science.