A black and white photograph of HMAT Ceramic, which was used during World War 1 as a troop carrier. The frame around the photograph contains the signatures of soldiers and the date ‘15.12.15’ – it is likely that the soldiers were part of the 12th Reinforcements for the 4th Light Horse Regiment. They departed Melbourne on 23 November 1915. ANMM Collection 00027600.
A British liner, a German U-boat, the mid-Atlantic Ocean and the Royal Australian Navy – what do they have in common? The SS Ceramic.
Before its deployment to Asian waters, HMAS Perth saw duty in the Mediterranean and Middle East. Egypt was exotic and exciting for the young Australian sailors, and photographs to send back home were a priority. Image: US Naval History and Heritage Command.
On the night of 28 February–1 March 1942, the Australian light cruiser HMAS Perth and the American heavy cruiser USS Houston fought bravely and defiantly against overwhelming odds – outnumbered and outgunned by a large advancing Japanese naval force – as they approached Sunda Strait, a narrow sea passage between the islands of Java and Sumatra in the Dutch East Indies (now Indonesia). Both ships sank that dreadful night in the Battle of Sunda Strait. Continue reading →
HMAS Vampire (II) flying the Australian White Ensign in 1967. Image: Navy Historic Archive.
Flags are everywhere. We see them flying from government and corporate buildings, from ships and cars, at sporting events, and during festivals. They all mean something whether it be identifying a country or business, or marking the end of a marathon. This month marked the anniversary of one of Australia’s most significant flags – the Australian White Ensign (AWE), first flown on 1 March 1967.
Speeches at the opening reception for Guardians of Sunda Strait. Image: Ashley Patranella.
It’s been a busy few days here in Houston with museum’s Guardians of Sunda Straitexhibition. All the objects and their labels have been successfully and safely installed in their showcases or on display panels and all the graphics have been applied to the walls. The final graphic caused a few headaches though! Firstly, the paper didn’t arrive at the factory, then the wrong graphic was accidentally printed, then the colours were wrong. But we have it now and it looks great. Exhibition installation always has a contingency of a few days built in just for this kind of last minute problem!