Ken Warby and SPIRIT OF AUSTRALIA: Still the world record holder, 40 years later

<em>Spirit of Australia</em> driven by Ken Warby on Blowering Dam, 1977. ANMM Collection ANMS1163[291], reproduced courtesy of Graeme Andrews.

Spirit of Australia driven by Ken Warby on Blowering Dam, 1977. ANMM Collection ANMS1163[291], reproduced courtesy of Graeme Andrews.

On 20 November 1977, Ken Warby set the world water speed record, piloting his wooden jet-powered boat, Spirit of Australia, into the history books. Warby’s home-made wooden hydroplane reached speeds of 464.44 km/h, breaking the previous ten-year-old record of 458.98 km/h held by American Lee Taylor. The current record of 511.11 km/h (317.68 mi/h) was recorded by Warby on the 8th of October 1978, but, Warby first claimed the water speed record 40 years ago today.

But where Lee Taylor’s record attempt had cost close to $1 million in 1967, Warby had built his hydroplane in a suburban backyard…with a military-surplus jet engine that cost $65!

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Maritime Moustaches

Able Seaman Thomas Fleming Walker in the uniform of the New South Wales Naval Brigade circa 1900. ANMM Collection 00054875. Gift from John Walker.

Able Seaman Thomas Fleming Walker in the uniform of the New South Wales Naval Brigade circa 1900. ANMM Collection 00054875. Gift from John Walker.

Moustaches were big in the late 19th century. Really big.

As the wielder of a reasonably large moustache, I thought I might look into the museum’s collection of photographs and see how many and what sorts of moustaches are there. My hunch was correct – there are hundreds and hundreds of them. From nice thick ‘chevrons’, to the simple ‘English style’, to the classic ‘handlebar’ and even a few ‘walrus’ and ‘toothbrushes’. So I thought I would create a display of Maritime Moustaches in time for that important event every year – Movember!

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Napoleon’s artists and their new views of Australia

Lesueur made detailed sketches of Sydney. This view was made looking across Sydney Cove from where the Sydney Opera House now stands. Museum d’histoire naturelle, Le Havre.

Lesueur made detailed sketches of Sydney. This view was made looking across Sydney Cove from where the Sydney Opera House now stands. Museum d’histoire naturelle, Le Havre.

In April 1802 when the lookout station situated on the southern headland at the entrance to Port Jackson reported the sighting of a French naval vessel approaching, the news spread quickly through the streets of Sydney. Isolated on the far side of the world from England, it was normal for news of the arrival of a ship to cause excitement at the prospect of news from Europe and the hope of fresh supplies. The armed corvette Le Naturaliste however, was an unusual arrival and unlikely to bring much comfort to the town.

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Behind the scenes at Port Botany

One of 999 boxes being unloaded from the <em>Yang Ming Singapore</em>. Image: Andrew Frolows/ANMM.

One of 999 boxes being unloaded from the Yang Ming Singapore. Image: Andrew Frolows/ANMM.

In today’s global world you may have drunk coffee from Brazil or a smoothie containing frozen fruit from China. You could be wearing clothes made in India, watching a TV made in Japan while sitting on a sofa containing wood from Argentina on a laminate floor manufactured in Sweden. All of this has been made possible by a rectangular steel box – the humble shipping container.

It’s a wet and windy morning as the Yang Ming Singapore arrives in Sydney, ready to discharge and load almost 2,000 of the 2.3 million containers that will pass through Port Botany Container Terminal this year. Curator and project manager Dr Mary-Elizabeth Andrews takes a look on board.

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Canoe Cultures – Nawi 2017 Travelling Our Waters

Nawi (Sydney tied-bark canoe) with fire at Nawi 2012. Photograph Andrew Frolows

On 9 November the museum will host the second national conference on Indigenous watercraft. Nawi 2017  – Travelling Our Waters brings together traditional watercraft builders, community members, historians, students and others to share knowledge and culture about canoes and all the other incredible and diverse watercraft made by Aboriginal and Torres Strait Islander peoples.

The one day symposium will feature talks by people from the Kimberley, Torres Strait Islands, Arnhem Land and Tasmania. The presentations are diverse. Djambawa Marawili AM will present on the story of the Blue Mud Bay Sea Rights Case. Jimmy Thaiday and Lynette Griffiths will talk about Ghost Nets in art. There will be talks about the heroic Yarri and Jacky who rescued dozens of people from the 1852 Gundagai floods in bark canoes, and an important focus on youth and Indigenous watercraft.

Uncle Moogy in his yuki at Nawi 2012. Photograph Andrew Frolows

There will also be traditional bark canoes being constructed through the day and an opportunity to see the Gapu-Monuk Saltwater- Journey to Sea Country exhibition, as well as a host of other activities and displays about the maritime history and cultures of Indigenous Australia.

Registration details for this wonderful opportunity to learn about nawi tied-bark canoes, rolled bark ninghers, bardi rafts and more can be found here. You can view the full program here. Hurry – there are limited places and a special offer to attend the opening night of Gapu-Monuk on 8 November.

Detail from Mudhaw Warul (Sheltered Turtles Behind the Reef) © Billy Missi

Remembering the White Russians

White Russians Eugene, Ilia and Katherine Seiz in Harbin, China, 1940s. Reproduced courtesy Natalie Seiz.

White Russians Eugene, Ilia and Katherine Seiz in Harbin, China, 1940s. Reproduced courtesy Natalie Seiz and Andrew Seiz.

One of the things I find most interesting about Australia’s immigration history is how political events and uprisings on the other side of the world can have a flow-on effect and shape our own history. Take for example the October Revolution in Russia, which occurred 100 years ago today on 7 November 1917 (or 25 October in the old Julian calendar) and would lead to the exodus of the refugees known as White Russians or white émigrés.

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The elusive Mrs Cherry

'I do some soothsaying', from Mrs Cherry’s illustrated journey from England to Australia on Ormonde, 1931. ANMM Collection 00029325.

‘I do some soothsaying’, from Mrs Cherry’s illustrated journey from England to Australia on Ormonde, 1931. ANMM Collection 00029325.

I have recently finished reading Umbertina by Helen Barolini (1979), a classic novel about migration and identity as explored through the lives of three generations of Italian-American women. In the 1870s the title character, a Calabrian goatherd, commissions an intricate woven bedspread for her wedding to Serafino Longobardi. With its traditional design of grapes, fig leaves and ivy, ‘the bedspread was the one thing she would bring to her new home [in New York] and she wanted it beautiful and strong, to last forever’ (p 44). Circumstances force Umbertina to sell her treasured matrimonial bedspread, and decades later it ends up on display at the Ellis Island Immigration Museum with the label, ‘Origin: Calabria. Owner unknown’ (p 407). It’s a powerful reflection on the loss of cultural heritage and provenance, and the silence that characterises so many women’s stories and migrant collections.

In our own museum’s immigration collection are two intriguing watercolour albums that were created by traveller and amateur cartoonist, Mrs M E Cherry, in the 1930s. Together they contain more than 100 vibrant illustrations that capture Mrs Cherry’s voyage from London to Adelaide on Ormonde in 1931–1932, and her travels in the South Pacific and the south of France in 1932–1939.

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90 years since the Greycliffe ferry disaster

The partially submerged remains of the ferry <em>Greycliffe</em>, following the collision with <em>Tahiti</em>. 40 lives were lost in the disaster. ANMM Collection 00036858, Samuel J Hood Studio.

The partially submerged remains of the ferry Greycliffe, following the collision with Tahiti. 40 lives were lost in the disaster. ANMM Collection 00036858, Samuel J Hood Studio.

The sinking of the Greycliffe ferry on 3 November 1927 remains the most significant accident on Sydney Harbour to date. Forty lives were lost when the ferry collided with the Union Steamship Company’s liner Tahiti. The tragedy had a marked impact on the city – many old Sydney families can still recount their personal connections to the disaster, particularly those associated with the suburbs around Vaucluse and Watsons Bay where many of the victims lived.  It inspired significant plot points in the novels Waterways by Eleanor Dark (1938) and Careful, He Might Hear You by Sumner Locke Elliott (1963).

Today, on the 90th anniversary of the disaster, we tell the story of Betty Sharp, the teenage girl who had a haunting impact on the recovery teams at the time of the accident and through subsequent retellings of the disaster.

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Sea Bird: A ghost ship story to shiver yer timbers

Ghost ship – Self steering and completely intact, the Sea Bird appeared to onlookers as being guided by a ‘mysterious power’. Image: <a href="https://unmyst3.blogspot.com.au/2015/12/ellen-austin.html"> Unsolved Mysteries in the World</a>.

Ghost ship – Self-steering and completely intact, the Sea Bird appeared to onlookers as if it was being guided by a ‘mysterious power’. Image: Unsolved Mysteries in the World.

One of the upsides of the eerie Halloween season is that you can let yourself dwell on the macabre. Even if the rest of the year you envision yourself as a hard-nosed cynic, on Halloween you are allowed to drop your scepticism and ponder the impossible ‘What if…?’

For maritime folk, there is no end of unnerving tales to scare yourself with. Oceans are vast and humans have sailed the seven seas long enough that you can take your pick of myths or unsolved mysteries that will keep you awake with chills, well into the night. Leaving aside sea monsters, murderous pirates or alien encounters, it is the appearance of ghost ships that can really raise the hair on your neck. The thought of these silent and abandoned vessels aimlessly making their way across oceans is disconcerting, to say the least.

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Wild Oats XI: A giant of Australian racing

Wild Oats XI in full flight. Image: Rolex - Carlo Borlenghi.

Wild Oats XI in full flight. Image: Rolex – Carlo Borlenghi.

The supermaxi yacht Wild Oats XI is here at the museum for a short visit. Wild Oats and its crew have become an Australian sporting brand, recognised by the public as Australia’s premier racing yacht and team through their dominance of the iconic Sydney to Hobart yacht race, since Wild Oats XI was launched in 2005. This is Australia’s team, in the eye of the public Wild Oats XI is defending the country’s pride in the nation’s major ocean race – and its public adoration is thoroughly deserved.

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A voyage to Adelaide: Attending the 2017 AIMA conference

Archaeology on the Great Barrier Reef. Image: ANMM.

Shipwrecks and maritime archaeology are key parts of understanding Australian’s history as a land that is gurt by sea. Image: Measuring artefacts in situ, during an archaeological dive on the Great Barrier Reef, 2013 / ANMM.

Over the past six months, Em Blamey, Creative Producer at the museum, and I have travelled Australia engaging regional and remote maritime museums with the exhibition project Submerged: Stories of Australia’s shipwrecks. In late September, we were honoured to attend the 2017 AIMA Conference: Claimed by the Sea, to present the results of our endeavours.

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Fifty years of Turkish migration

Signing the Australia-Turkey Migration Agreement, 1967. Australian News and Information Bureau. Reproduced courtesy National Archives of Australia A1200, L65408

Signing the Australia-Turkey Migration Agreement, 1967. Australian News and Information Bureau. Reproduced courtesy National Archives of Australia: A1200, L65408.

Fifty years ago today, on 5 October 1967, the Australian and Turkish governments signed a bilateral agreement to provide assisted passage to Turkish migrants, to help build Australia’s population and expand the workforce. The Australia-Turkey Migration Agreement – Australia’s inaugural agreement with a nation beyond Western Europe – enabled the first major Muslim community to settle in the country. This represented a significant step in the gradual dismantling of the White Australia policy.

Around 19,000 assisted Turkish migrants arrived in Australia between 1968 and 1974. Many, like couple Halit and Şükran Adasal, came with the intention of working hard and saving enough money to return to Turkey. But within three years of their arrival, Şükran had given birth to two daughters, Hale and Funda, and Australia became the family’s home. Hale registered Halit and Şükran Adasal on the museum’s Welcome Wall to honour ‘my parents who left all that they knew for a better life with hope and courage. Their migration planted the seeds of their family roots in Australia for future generations of our family.’

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Guardians of Sunda Strait: Remembering HMAS Perth and USS Houston

Before its deployment to Asian waters, HMAS Perth saw duty in the Mediterranean and Middle East. Egypt was exotic and exciting for the young Australian sailors, and photographs to send back home were a priority. Image: Naval Heritage Collection.

Before its deployment to Asian waters, HMAS Perth saw duty in the Mediterranean and Middle East. Egypt was exotic and exciting for the young Australian sailors, and photographs to send back home were a priority. Image: US Naval History and Heritage Command.

On the night of 28 February–1 March 1942, the Australian light cruiser HMAS Perth and the American heavy cruiser USS Houston fought bravely and defiantly against overwhelming odds – outnumbered and outgunned by a large advancing Japanese naval force – as they approached Sunda Strait, a narrow sea passage between the islands of Java and Sumatra in the Dutch East Indies (now Indonesia). Both ships sank that dreadful night in the Battle of Sunda Strait. Continue reading

Welcome Wall September 2017

Image: Andrew Frolows/ANMM.

Last Sunday, around 900 people attended a special ceremony at the museum which saw 339 new names unveiled on the museum’s migrant Welcome Wall. The Welcome Wall stands in honour of all those who have migrated from around the world to live in Australia. Continue reading

Meeting the descendants from a disaster at sea

Samuel Elyard, Burning of the Barque India, c 1841. Watercolour on paper, 41.7 x 55 cm. ANMM Collection 00004246

Samuel Elyard, Burning of the Barque India, c 1841. Watercolour on paper, 41.7 x 55 cm. ANMM Collection 00004246.

One of the museum’s most-requested paintings for public viewing is a dramatic watercolour by Sydney landscape artist Samuel Elyard (1817–1910) titled Burning of the Barque India (c 1841). Recently we arranged a viewing for cousins Catherine Bell and John Grant. Their great-great-grandparents John Scott Grant and Ann Grant (née Kilpatrick) were survivors of the ill-fated migrant ship, which caught fire and sank in the South Atlantic Ocean on 19 July 1841.

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